FRESHMAN COMPOSITION, RHETORIC, GRAMMAR II

&

INTRO. TO LITERARY RESEARCH & WRITING

INSTRUCTOR: James Maxfield

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Fall 2004—CCC Metro

English 1010: Introduction to English Composition I: Critical Reading, Rhetoric, and Style

Instructor: James Maxfield

1.0.  Instructor Bio.  See Bio on other page.

1.1 Contact and Class Information.

Phone: On Campus messages: 216-987-4568.

email: james.Maxfield@tri-c.edu; Emergency email: jamesmaxfield@earthlink.net

Office Hours: Before or after class or by appointment; Office: Hum 323

Class Meeting Time: Saturday: 9:00—11:40. Room HUM 211.

Namaste! Mar ha bann! Kangéi! Buonvenuto! Bienvenida! Willkommen! Bienvenue! Welcome!

1.2. Introduction. It is assumed that prior to enrolling in this course students will have taken an English placement test or that students already have a solid grounding in correct English grammar, usage, and style. During our first or second class, students will be given a short grammar and proofreading quiz. Students not rating at least a C on this quiz may be encouraged to enroll in an English grammar review course either prior to or concurrently with this course. Some students may also be asked to seek additional help in the tutorial center 1 or 2 hours each week. (Actually, all students should take advantage of this free service and resource.)

1.3. Purpose. Freshman English & Composition prepares the new college student for the critical reading, analysis, and thoughtful reflection and response that are required for all college-level courses. This class blends writing theory, technique, and practical application for developing clear and concise writing and structuring understandable and persuasive arguments. This class will also introduce students how to critically read and write about literature—in particular the short story.

1.3.1. Course Objectives

The goal of this course is to introduce students to the basic elements of English composition that will sustain them in their writing of college course material of all subjects. Students will develop the skills of critical reading that can be applied to any type of persuasive writing in: fiction, non-fiction, poetry, journalism, scientific, legal, or business, as well as literary criticism. Specific readings and exercises will allow students to progressively develop the following writing skills: generating, organizing, and developing ideas; structuring and supporting a written argument, either as a response or as an original essay topic; and writing, revising, and proofreading drafts.

1.3.2. The technical readings selected will introduce the fundamentals of rhetoric, logical constructs, argument, and style that may be progressively incorporated into and applied to writing practice. Upon completion of this course, the student should be comfortable in planning and completing a polished 6- to 8-page paper (double-spaced) on a specific topic or as a response to a single article, editorial, or essay, as well as prepare the student for more advanced writing where outside research of other source materials will be required.

1.3.3. Specific Performance Course Objectives.

A. Demonstrate understanding and correct application of standard English syntax.

B. Demonstrate analytical competence in identifying theme/thesis, main points, and supporting details of a reading selection.

C. Demonstrate the ability to write about assigned and self-invented topics.

D. Demonstrate ability to apply appropriate methodology and content from other disciplines to assigned and self-invented writing assignments.

E. Demonstrate an ability to write an assignment reflecting his or her understanding of organization, logic, adequate development, coherence, and significance.

F. Demonstrate an awareness of purpose and audience.

G. Demonstrate ability to write informed critical analyses about works of fiction.

H. Use rhetorical methods to demonstrate ability to write interpretive papers based upon both fiction and nonfiction.

I. Discuss and write about the objectivity and reliability of information found in essays.

J. Identify and analyze problems found in fictions and nonfiction; develop, evaluate, and prioritize possible solutions to problems verbally and in writing.

K. Demonstrate recognition of cause and effect relationships in essays and fiction through discussion and writing.

L. Demonstrate ability to integrate new facts and ideas with personal experience in assigned and self-invented writing assignments.

M. Demonstrate by writing multi-paragraph essays of varying lengths the ability to use appropriate rhetorical strategies such as the following: description, narration, process, example, classification/division, definition, comparison/contrast, cause/effect, problem/solution.

N. Demonstrate the ability to edit and proofread essays for syntax, organization, logic, development, coherence, and significance.

O. Recognize that writing on the level of this course is a process that requires constant revision and editing and utilize these steps in preparing compositions for class.

1.4. Required Books and Materials (in the bookstore):

Handbook for Writers. 7th Ed. (or 6th edition) Lynn Quitman Troyka.

Strategy and Structure. 3rd Ed. William J. Kelly

The Longman Masters of Short Fiction. Dana Gioia and R. S. Gwynn, Eds.

A Good Dictionary! (at least 10 pounds—or one on CD-Rom for those weak-of-arm)

(Merriam-Webster Collegiate, American Heritage, or Webster’s New World)

 

 

1.4.1. Recommended Texts (Optional)

--Roget’s Desk Thesaurus, Joyce O’Conner, ed. or anything comparable

--A Handbook of Rhetorical Terms, 2nd Edition. Richard A. Landham

--MLA Handbook for Writers of Research Papers, 5th Ed. or most current edition. Joseph

Gibaldi

--A handbook or dictionary of Quotations (Oxford, Macmillan, other)

 

1.4.2. Suggested for fun reading or extra credit (see Extra Credit)! (Maximum 2 books—1 from each group) (Note: An extra credit book counts about the same as one essay.)

Group 1 (select one)

Students are encouraged to read any biography or critical book about one of our assigned short story authors similar to the following entry for Anton Chekhov (your book choice must be approved by the instructor in advance):

--Reading Chekhov: A Critical Journey. Janet Malcolm. 2001.

Also highly recommended is the following book:

--How to Read Literature like a Professor. Thomas C. Foster. 2003.

Group Two (select one)

--Loose Cannons, Red Herrings and Other Lost Metaphors. Robert Claiborne. 1988.

--Lapsing Into A Comma: A Curmudgeon’s Guide to the Many Things That Can Go Wrong in

Print—and How to Avoid Them. Bill Walsh

--Woe Is I: The Grammarphobe’s Guide to Better English in Plain English. Patricia T. O’Conner.

--Words Fail Me: What Everyone Who Writes Should Know About Writing. Patricia T.

O’Conner.

--Doublespeak Defined: Cut Through the Bull and Get the Point! William Lutz

--The Mother Tongue: English & How it Got That Way. Bill Bryson

--How to Say It: Choice Words, Phrases, Sentences & Paragraphs for Every Situation.

Rosalie Maggio, 2001.

--The Gentle Art of Verbal Self-Defense. Suzette Haden Elgin.

--The Elephants of Style. Bill Walsh. 2004.

--Verbatim. Erin McKean. 2001.

--Eats, Shoots and Leaves. Lynn Truss. 2003.

 

2.0. General Strategy and Methodology

2.1. Class time may consist of topical lectures and illustrations in writing technique, a short lesson and illustration in rhetoric and writing style or logical arguments and logical fallacies, class exercises or short in-class writings, discussion of reading assignments, and some working in groups and peer evaluation work sessions. Each student will also have one in-class counseling session that will be scheduled in place of a Midterm. Generally, you will be required to read 2 or 3 short critical pieces each week along with one technical reading and one short story.

 

3.0. Course Requirements

3.1. Weekly reading assignments from textbooks, your Handbook for Writers, or other assigned reading from handouts, published speeches, newspaper editorials, or feature articles.

3.2 Approx. 30 short written exercises-- These will usually be about 1/2 page to 2/3 page in length (double-spaced). These skill-building exercises will be in the nature of writing an outline, summary, or abstract of an essay or article; developing and effective paragraph; and practice in writing and supporting arguments with rhetorical devices. Revision of these assignments is strongly encouraged. Be advised that your finished portfolio of exercises and assignments is intended to show progress and improvement in your college writing, and your final portfolio will be graded at the end of the term for 30% of your total grade. However, each exercise will be graded as completed or revised. Your diligence in editing, revising, and polishing the contents of your portfolio will greatly assist your writing progress and your overall grade. (A word of caution: If you miss or fail to complete some exercises, be advised that one essay has about the same weighted value of 5 exercises. So if you miss 5 exercises, it is similar to throwing away one essay grade.)

3.3 Six (6) extended exercises (mini-essays) (2-3 pages each) will be required. These papers will focus on a specific rhetorical aspect of writing or writing skill. Although I will evaluate each step of your writing process, only the final paper grade will count. You may complete up to 2 revisions of any paper or essay for a better grade. (See Extra Credit below.) No outside research will be necessary for writing these essays, although it is permitted. We will cover how to do in-text citations (per MLA format) when referring to quotations from assigned readings and how to prepare a Works Cited bibliography.

 

3.4. One (1) Term Paper (5-8 pages) based on the short story readings. Students will write a paper utilizing 3 short stories to compare or contrast or otherwise discuss some aspect or writing strategy on a chosen topic that is central to one of the following:

1. Narrative Exposition

2. Setting

3. Point of View

4. Theme

5. Characterization (Types of characters)

6. Uses of Language, Style, & Vocabulary

7. Plot or Subplot

8. Character Analysis & Motivation

3.4.1. Critical Theory. Students must also integrate into the paper an aspect of one approach to critical theory (more on this later) or include a separate paragraph discussing critical theory as it relates to their paper, their topic, or their thesis. Paper topics must be approved by the instructor prior to writing a first draft. The 3 stories will be from our Short Fiction Anthology. The instructor will choose 1 story and the students will choose 2 stories from the ones assigned. This term paper must also be accompanied by a short (1/3 page double-spaced) abstract summarizing the paper and also must include a Works Cited bibliography—all in MLA format.

 

3.5. Three (3) Grammar and Proofreading Quizzes. The first one will be given during the first or second class meeting. It will not count as part of your grade, but may be used to determine the need for additional outside help in the tutorial center. These quizzes will test the student’s ability to recognize and correct errors in grammar, punctuation, style, or argument from a sample text. These will be graded in class and serve as a review discussion. A comprehensive grammar test will also be given during week one (take home) to assess each student’s overall present level of ability in basic grammar and punctuation.

 

3.6. Final Exam: Take Home. Students will be given a short article, essay, or editorial that they have (probably) not seen before. After reading the text, the students will (1) Identify and Analyze or Comment on the author’s use of rhetorical figures, the arguments and logical constructs, and writing style, (2) create an outline of the text identifying the author’s thesis or focus idea and his supporting ideas or evidence, (3) write a one-paragraph abstract of the text, (4) in several sentences or a paragraph, draft a plan to respond to or comment on the text, (5) write a focus or thesis sentence and an opening paragraph, and (6) include some kind of notes or outline illustrating the main points or strategy of YOUR RESPONSE to THEIR idea. This exam will be a practical extension of the weekly in-class and outside of class exercises. (The take-home final will be given to students during the last regular class meeting to be returned on or before the scheduled final exam day. Your final exam must be typed like other assignments.) (Actual Final Exam may vary slightly form this description and may include a short essay response or short paragraph answers to questions posed by the instructor.)

 

3.7. Portfolio: Students are to create and maintain a "Commonplace Notebook" portfolio of class exercises, paper drafts and revisions, notes on rhetoric and style, examples of rhetorical figures reviewed in class or individually, student’s personal new vocabulary study list, and examples of grammatical oddities. These notebooks will be reviewed twice during the term: at midterm conference and the last week of class. They will be returned during our final exam time.

 

3.8. Conference with Instructor

There may be one scheduled in-class conference in lieu of a midterm class. Other contacts are encouraged at any time by email or by a scheduled phone conference. Please feel free to ask for help or ask questions anytime before or after class.

4.0. Student Weighted Evaluation

4.1. Grade Components

6 short essays: 36% (see breakdown)

[Essays 1 & 2 @ 4% each; essays 3 & 4 @ 6% each; essays 5 & 6 @ 8% each]

Term Paper (5-8 pages) 20%

Grammar & Proofreading Quizzes 4% (graded and reviewed in class)

Final Exam (take home) 10%

Portfolio of Exercises and Independent Study 30%

 

Grading Scale

 

A

90% and up

B

80% to 89%

C

70% to 79%

D

60% to 69%

F

below 60%

5.0. Extra Credit. Students are strongly encouraged to take advantage of the extra credit (independent study) opportunities of this course.

5.1. Revisions. Essays can be polished with up to 2 revisions for an improved grade. Both revisions must be submitted within 2 weeks after the original assignment is returned. Based on the quality of the improvement, the grade for any such paper can be increased by up to 9 points, e.g. a B- to a B is equivalent to 3 points; B- to B+ is 6 points; B- to A- is 9 points.

5.2. Assessment. During the last week of class, students who have chosen one of the approved extra credit books may be asked to make a short group presentation to the class or write a 1 to 2 page (double-spaced) "Book Review"—like a feature article or review for a magazine or newspaper. This credit will be applied to the final course grade by adding 2-4 points to overall grade: A=4 points, B=3 points, C=2 points.

5.3. Extra Portfolio Points are also awarded for Neatness and Organization, Independent Study in logic or rhetoric, and specific vocabulary work (10-100 words from your short story or other readings). (Each 10 vocabulary words can raise your Portfolio grade by 1%.)

5.4. A Final Grade that is on the borderline between two letter grades will be determined by the judgment of the instructor based upon the following criteria: quality of portfolio and last paper, general progress and improvement of student during the term, and attendance and participation.

6.0. Procedures and Writing Requirements for Final Papers & Assignments

--All in-class writing assignments should be revised and typed for your portfolio.

--All outside of class exercises should be typed and placed in the portfolio.

--Other personal notes, vocabulary, or grammar notes do not need to be typed, but it helps you.

7.0. Suggestions for Writing Essays and Term Paper

7.1. Paper Writing Process. Assigned papers are structured as a comprehensive progressive learning experience and are completed in stages: (1) an exercise to generate topical ideas, (2) pre-planning your paper, (3) writing a first draft, and (4) revising into a second draft. This will improve your work and your grade. Please do not turn in papers inside of a folder or cover or add a cover sheet. Just follow the MLA format (which will be discussed in class). All pages of your paper must be numbered with your last name in the upper right corner.

7.2. Writing Stages. The stages of writing exist to refine your writing skills. Evaluation is based on 7 general criteria: (1) Planning; (2) Narrowing and clearly stating your Focus, Theme, Thesis, or Topic; (3) Writing Strategy or Developing your Argument; (4) Organizational Inventiveness; (5) Writing Style; (6) Grammar and Mechanics of English, and (7) Quality of Revisions.

7.3. Note on Grammar and Mechanics of English and Writing. PROOFREAD YOUR PAPERS CAREULLY!!! Ceteris Paribus: I may allow one (1) technical error (other than faulty grammar) per page. However, I reserve the option to mark down Final Drafts of Term Papers by 1/2 point for each grammatical or mechanical error, including but not limited to: typos, mis-spelled words, faulty punctuation, subject-verb agreement, and the like. Consult your Handbook often and learn how it is organized for reference. See the inside covers for quick-review work. Caution: Do Not Rely on Word Processor Spell-Check programs to catch all of your mistakes. Also note that Spell-Check programs are not always correct.

7.4. Late Papers: All assignments turned in late will be penalized by one letter grade for each class it is late. If you cannot be in class on the due date of a paper, make sure you send your paper to me by email before the end of that designated class period or submit it early! If for any reason an email fails to send or be received properly or fails to open, it will be deemed as not received. It is your responsibility to make sure papers are submitted on time.

8.0. Class Attendance, Participation, and Etiquette

8.1. Attendance. Consider our class meeting time as a professional appointment. I will be on time and prepared. You should also. If you know that you will be unable to attend class on a certain date or if you expect to be late, please notify me in advance by phone or email. If you miss more than 1/3 of a class, it may be considered an absence at my discretion. There will be no grade penalty for missing three or less class-hours. Absences in excess of 3 class-hours may result in a lowered grade. Any in-class writing assignment missed due to an unexcused absence cannot be made up. Students missing more than nine (9) class-hours (a tardy counts as 1/3 of a class missed) for any reason may be administratively dropped from the class at the discretion of the instructor.

8.2. Participation. Participation in class (as well as group work) is defined as being on time and prepared for class, courteous and considerate of other class members, and actively engaged in the assignment or discussion.

 

8.3. Classroom Etiquette. Generally, I expect students of be courteous to their fellow students; so, please, no excess talking or private conversations during lectures or class discussions. I will appreciate your voluntary compliance. Please. No eating in class; however, coffee, water, or soda are OK. (Classes longer than one class-hour per meeting will have a break.) It should go without saying, but please do not bring CD players, Walkman headphones, or radios to class. Please turn off all cell phones and pagers during class.

9.0. Academic Integrity: Policy Statement on Plagiarism. Plagiarism and Academic Dishonesty (cheating) in any of its forms is expressly prohibited by the college as well as by the English Department and the syllabus for this course. Common forms of cheating and plagiarism include, but are not limited to, the following:

9.1.  Having someone else do your work for you

9.2. Purchasing essays from an internet site or other source

9.3. Using unauthorized ideas or not citing the source of something paraphrased or adapted from the work, words, or ideas of another

9.4. Modifying someone else’s paper for your class

9.5. Modifying your own paper from a previous class and submitting the same information for a different course without prior approval from your instructor

9.6. Collusion between students to turn in the same or similar papers without the express permission of the instructor to work together

9.7. Any violation of Intellectual Copyright laws

9.8. Cheating or plagiarizing may result in receiving a zero on the assignment or failing the class with a referral to the college Dean of Students for possible further action. (For further information on this topic consult the university policy manual.)

Note: Those students who would not do such things, please disregard the above warning!

10.0. Important Dates this Term (To Be Announced)

Holidays:  September 6—Labor Day—No Classes

No Classes on Thursday and Friday October 14 & 15. Independent Study Days (Library should be open!) (Note! We will take our Study days on Mon & Wed. Oct. 11 & 13, which may be used for conferences.) I will let you know and announce in class.

No Class on Thursday Nov. 11—Veterans Day

Thursday November 25—Thanksgiving—No Classes

The last Day to Withdraw with a "W" grade is November 22.

11.0. NOTE BENE! THERE ARE NO INCOMPLETES FOR THIS CLASS! All work completed during the term must be included in your portfolio and turned in on the due date. If something is missing or not completed, it will be counted as a zero.

12.0. English Tutorial Center

For additional help with your papers, you are also urged to take advantage of the FREE tutorial center services in the Library, 4th Floor. Just go there and they will schedule an appointment for you with a Tutor to assist you with your writing organization, technique, and style. BUT THEY WILL NOT WRITE YOUR PAPER OR CORRECT EVERY MISTAKE. THAT IS YOUR JOB!

13.0. Class Modules. See assigned readings, writings, and lectures. Note that if a detailed class assignment schedule is provided, it is only a working outline and subject to changes and modification, especially due dates. Other specific readings or writing exercises may be assigned in class.

14.0. General Notes

14.1. A more detailed list of weekly assigned readings, writings, lectures, and assignments will be provided by the third class meeting. That schedule is tentative and subject to changes by the instructor during the course of the term.

14.2. Bring a Floppy Disk with you to each class and keep all of your typed exercises and writings on it. You should also keep an extra copy of your work on another floppy disk and on your home computer (if you have one). You will be using the library computers at Tri-C, and sometimes you will have opportunities to work on your assignments before, during, or after class.

14.3. To guard against the unthinkable, you are advised to keep 2 floppy disk copies of all of

your work. Keep one with you at school, at work, or in your car. Keep one at home. Update each of them weekly from your hard drive. Save all of your hard-copy drafts in appropriately marked sections of your Portfolio: e.g., essays, skill exercises in numerical order (1-15), lecture and discussion notes, other in-class exercises, vocabulary work, and independent study, etc.

14.4. A take home Final Exam will be given out on our last regular class day and will be due in

my office (HUM 323) by Noon on or before Friday, December 17.

14.5. Other specific readings or writing exercises may be assigned in class.

14.6. If you feel that you have any personal disability that may require special consideration in completing this coursework or in attending class, please contact the Tri-C Access Office in Humanities Building 103.

14.7. Check the class website at least weekly for class announcements or changes in assignments.

14.8. Students are encouraged to print off from the website handouts listed under Lecture Notes and Supplemental Handouts.

14.9. Consult the suggested links for further information or research.

14.10. Print out the class exercises in advance of class lectures. (You may want to print all of them out and place them in your notebook/portfolio at the beginning of the term.) Students are encouraged to work ahead on exercises (when possible) and to read ahead according to the schedule.

14.11. You can print documents For Free from the class home page or when doing other internet research by using the Tri-C Library computers.

14.12. Experience has proven that students who organize themselves and their work at the start of the course will perform better throughout. The course is fast-paced. It is easy to fall behind—and very difficult to catch up. An important topic or exercise is covered in each class, so it is important to attend every class and to be highly organized.

 

GOOD LUCK. THIS IS YOUR MOST DIFFICULT COURSE AND YOU WILL LEARN MUCH. IT’S A LOT OF WORK. BUT WE WILL HAVE SOME FUN, TOO!!

 

YOUR FIRST ASSIGNMENT: After reading this syllabus, send me an email from your preferred email address. (If you do not have an email account at home, you can obtain a free email account at the college library.) Note: When sending emails to the instructor, always identify yourself and this class in your address or message heading. In the email provide the following:

Answer the following: When was your last English class? What is your major? Verify your contact information: current phone number and email address.

Did you find any errors or typos in the syllabus—list them.

Ask any questions you might still have regarding this class or the syllabus.

Provide any comments, suggestions, or goals you might have regarding this class.

Attach (as a separate Word document) a one-paragraph bio about yourself.

 

Send mail to james.maxfield@tri-c.edu with questions or comments about this web site.
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Last modified: 04/30/06