1.1 Contact and Class Information.
Phone: On Campus messages: 216-987-4568.
email: james.Maxfield@tri-c.edu; Emergency email: jamesmaxfield@earthlink.net
Office Hours: Before or after class or by appointment; Office: Hum 323
Class Meeting Time: Saturday: 9:00—11:40. Room HUM 211.
Namaste! Mar ha bann! Kangéi! Buonvenuto! Bienvenida! Willkommen!
Bienvenue! Welcome!
1.2. Introduction. It is assumed that prior to enrolling in this
course students will have taken an English placement test or that students
already have a solid grounding in correct English grammar, usage, and style.
During our first or second class, students will be given a short grammar and
proofreading quiz. Students not rating at least a C on this quiz may be
encouraged to enroll in an English grammar review course either prior to or
concurrently with this course. Some students may also be asked to seek
additional help in the tutorial center 1 or 2 hours each week. (Actually, all
students should take advantage of this free service and resource.)
1.3. Purpose. Freshman English & Composition prepares the new college
student for the critical reading, analysis, and thoughtful reflection and
response that are required for all college-level courses. This class blends
writing theory, technique, and practical application for developing clear and
concise writing and structuring understandable and persuasive arguments. This
class will also introduce students how to critically read and write about
literature—in particular the short story.
1.3.1. Course Objectives
The goal of this course is to introduce students to the basic elements of
English composition that will sustain them in their writing of college course
material of all subjects. Students will develop the skills of critical reading
that can be applied to any type of persuasive writing in: fiction, non-fiction,
poetry, journalism, scientific, legal, or business, as well as literary
criticism. Specific readings and exercises will allow students to progressively
develop the following writing skills: generating, organizing, and developing
ideas; structuring and supporting a written argument, either as a response or as
an original essay topic; and writing, revising, and proofreading drafts.
1.3.2. The technical readings selected will introduce the fundamentals of
rhetoric, logical constructs, argument, and style that may be progressively
incorporated into and applied to writing practice. Upon completion of this
course, the student should be comfortable in planning and completing a polished
6- to 8-page paper (double-spaced) on a specific topic or as a response to a
single article, editorial, or essay, as well as prepare the student for more
advanced writing where outside research of other source materials will be
required.
1.3.3. Specific Performance Course Objectives.
A. Demonstrate understanding and correct application of standard English
syntax.
B. Demonstrate analytical competence in identifying theme/thesis, main
points, and supporting details of a reading selection.
C. Demonstrate the ability to write about assigned and self-invented
topics.
D. Demonstrate ability to apply appropriate methodology and content from
other disciplines to assigned and self-invented writing assignments.
E. Demonstrate an ability to write an assignment reflecting his or her
understanding of organization, logic, adequate development, coherence, and
significance.
F. Demonstrate an awareness of purpose and audience.
G. Demonstrate ability to write informed critical analyses about works of
fiction.
H. Use rhetorical methods to demonstrate ability to write interpretive
papers based upon both fiction and nonfiction.
I. Discuss and write about the objectivity and reliability of information
found in essays.
J. Identify and analyze problems found in fictions and nonfiction;
develop, evaluate, and prioritize possible solutions to problems verbally
and in writing.
K. Demonstrate recognition of cause and effect relationships in essays
and fiction through discussion and writing.
L. Demonstrate ability to integrate new facts and ideas with personal
experience in assigned and self-invented writing assignments.
M. Demonstrate by writing multi-paragraph essays of varying lengths the
ability to use appropriate rhetorical strategies such as the following:
description, narration, process, example, classification/division,
definition, comparison/contrast, cause/effect, problem/solution.
N. Demonstrate the ability to edit and proofread essays for syntax,
organization, logic, development, coherence, and significance.
O. Recognize that writing on the level of this course is a process that
requires constant revision and editing and utilize these steps in preparing
compositions for class.
1.4. Required Books and Materials (in the bookstore):
Handbook for Writers. 7th Ed. (or 6th edition) Lynn
Quitman Troyka.
Strategy and Structure. 3rd Ed. William J. Kelly
The Longman Masters of Short Fiction. Dana Gioia and R. S. Gwynn, Eds.
A Good Dictionary! (at least 10 pounds—or one on CD-Rom for those
weak-of-arm)
(Merriam-Webster Collegiate, American Heritage, or Webster’s
New World)
1.4.1. Recommended Texts (Optional)
--Roget’s Desk Thesaurus, Joyce O’Conner, ed. or anything comparable
--A Handbook of Rhetorical Terms, 2nd Edition. Richard A.
Landham
--MLA Handbook for Writers of Research Papers, 5th Ed. or
most current edition. Joseph
Gibaldi
--A handbook or dictionary of Quotations (Oxford, Macmillan, other)
1.4.2. Suggested for fun reading or extra credit (see Extra Credit)! (Maximum
2 books—1 from each group) (Note: An extra credit book counts about the same as
one essay.)
Group 1 (select one)
Students are encouraged to read any biography or critical book about one of
our assigned short story authors similar to the following entry for Anton
Chekhov (your book choice must be approved by the instructor in advance):
--Reading Chekhov: A Critical Journey. Janet Malcolm. 2001.
Also highly recommended is the following book:
--How to Read Literature like a Professor. Thomas C. Foster. 2003.
Group Two (select one)
--Loose Cannons, Red Herrings and Other Lost Metaphors. Robert
Claiborne. 1988.
--Lapsing Into A Comma: A Curmudgeon’s Guide to the Many Things That Can
Go Wrong in
Print—and How to Avoid Them. Bill Walsh
--Woe Is I: The Grammarphobe’s Guide to Better English in Plain English.
Patricia T. O’Conner.
--Words Fail Me: What Everyone Who Writes Should Know About Writing.
Patricia T.
O’Conner.
--Doublespeak Defined: Cut Through the Bull and Get the Point! William
Lutz
--The Mother Tongue: English & How it Got That Way. Bill Bryson
--How to Say It: Choice Words, Phrases, Sentences & Paragraphs for Every
Situation.
Rosalie Maggio, 2001.
--The Gentle Art of Verbal Self-Defense. Suzette Haden Elgin.
--The Elephants of Style. Bill Walsh. 2004.
--Verbatim. Erin McKean. 2001.
--Eats, Shoots and Leaves. Lynn Truss. 2003.
2.0. General Strategy and Methodology
2.1. Class time may consist of topical lectures and illustrations in
writing technique, a short lesson and illustration in rhetoric and writing style
or logical arguments and logical fallacies, class exercises or short in-class
writings, discussion of reading assignments, and some working in groups and peer
evaluation work sessions. Each student will also have one in-class counseling
session that will be scheduled in place of a Midterm. Generally, you will be
required to read 2 or 3 short critical pieces each week along with one technical
reading and one short story.
3.0. Course Requirements
3.1. Weekly reading assignments from textbooks, your Handbook for
Writers, or other assigned reading from handouts, published speeches,
newspaper editorials, or feature articles.
3.2 Approx. 30 short written exercises-- These will usually be about 1/2
page to 2/3 page in length (double-spaced). These skill-building exercises will
be in the nature of writing an outline, summary, or abstract of an essay or
article; developing and effective paragraph; and practice in writing and
supporting arguments with rhetorical devices. Revision of these assignments is
strongly encouraged. Be advised that your finished portfolio of exercises and
assignments is intended to show progress and improvement in your college
writing, and your final portfolio will be graded at the end of the term for 30%
of your total grade. However, each exercise will be graded as completed or
revised. Your diligence in editing, revising, and polishing the contents of your
portfolio will greatly assist your writing progress and your overall grade. (A
word of caution: If you miss or fail to complete some exercises, be advised that
one essay has about the same weighted value of 5 exercises. So if you miss 5
exercises, it is similar to throwing away one essay grade.)
3.3 Six (6) extended exercises (mini-essays) (2-3 pages each) will
be required. These papers will focus on a specific rhetorical aspect of writing
or writing skill. Although I will evaluate each step of your writing process,
only the final paper grade will count. You may complete up to 2 revisions of any
paper or essay for a better grade. (See Extra Credit below.) No outside research
will be necessary for writing these essays, although it is permitted. We will
cover how to do in-text citations (per MLA format) when referring to quotations
from assigned readings and how to prepare a Works Cited bibliography.
3.4. One (1) Term Paper (5-8 pages) based on the short story readings.
Students will write a paper utilizing 3 short stories to compare or contrast
or otherwise discuss some aspect or writing strategy on a chosen topic that is
central to one of the following:
|
1. Narrative Exposition |
2. Setting |
3. Point of View |
4. Theme |
|
5. Characterization (Types of characters) |
6. Uses of Language, Style, & Vocabulary |
7. Plot or Subplot |
8. Character Analysis & Motivation |
3.4.1. Critical Theory. Students must also integrate into the
paper an aspect of one approach to critical theory (more on this later)
or include a separate paragraph discussing critical theory as it relates to
their paper, their topic, or their thesis. Paper topics must be approved by the
instructor prior to writing a first draft. The 3 stories will be from our Short
Fiction Anthology. The instructor will choose 1 story and the students will
choose 2 stories from the ones assigned. This term paper must also be
accompanied by a short (1/3 page double-spaced) abstract summarizing the paper
and also must include a Works Cited bibliography—all in MLA format.
3.5. Three (3) Grammar and Proofreading Quizzes. The first one will be
given during the first or second class meeting. It will not count as part of
your grade, but may be used to determine the need for additional outside help in
the tutorial center. These quizzes will test the student’s ability to recognize
and correct errors in grammar, punctuation, style, or argument from a sample
text. These will be graded in class and serve as a review discussion. A
comprehensive grammar test will also be given during week one (take home) to
assess each student’s overall present level of ability in basic grammar and
punctuation.
3.6. Final Exam: Take Home. Students will be given a short article,
essay, or editorial that they have (probably) not seen before. After reading the
text, the students will (1) Identify and Analyze or Comment on the author’s use
of rhetorical figures, the arguments and logical constructs, and writing style,
(2) create an outline of the text identifying the author’s thesis or focus idea
and his supporting ideas or evidence, (3) write a one-paragraph abstract of the
text, (4) in several sentences or a paragraph, draft a plan to respond to or
comment on the text, (5) write a focus or thesis sentence and an opening
paragraph, and (6) include some kind of notes or outline illustrating the main
points or strategy of YOUR RESPONSE to THEIR idea. This exam will be a practical
extension of the weekly in-class and outside of class exercises. (The take-home
final will be given to students during the last regular class meeting to be
returned on or before the scheduled final exam day. Your final exam must be
typed like other assignments.) (Actual Final Exam may vary slightly form this
description and may include a short essay response or short paragraph answers to
questions posed by the instructor.)
3.7. Portfolio: Students are to create and maintain a "Commonplace
Notebook" portfolio of class exercises, paper drafts and revisions, notes on
rhetoric and style, examples of rhetorical figures reviewed in class or
individually, student’s personal new vocabulary study list, and examples of
grammatical oddities. These notebooks will be reviewed twice during the term: at
midterm conference and the last week of class. They will be returned during our
final exam time.
3.8. Conference with Instructor
There may be one scheduled in-class conference in lieu of a midterm class.
Other contacts are encouraged at any time by email or by a scheduled phone
conference. Please feel free to ask for help or ask questions anytime before or
after class.
4.0. Student Weighted Evaluation
4.1. Grade Components
6 short essays: 36% (see breakdown)
[Essays 1 & 2 @ 4% each; essays 3 & 4 @ 6% each; essays 5 & 6 @ 8% each]
Term Paper (5-8 pages) 20%
Grammar & Proofreading Quizzes 4% (graded and reviewed in class)
Final Exam (take home) 10%
Portfolio of Exercises and Independent Study 30%
|
Grading Scale |
|
|
A |
90% and up |
|
B |
80% to 89% |
|
C |
70% to 79% |
|
D |
60% to 69% |
|
F |
below 60% |
5.0. Extra Credit. Students are strongly encouraged to take advantage of the
extra credit (independent study) opportunities of this course.
5.1. Revisions. Essays can be polished with up to 2 revisions for an
improved grade. Both revisions must be submitted within 2 weeks after the
original assignment is returned. Based on the quality of the improvement,
the grade for any such paper can be increased by up to 9 points, e.g. a B- to
a B is equivalent to 3 points; B- to B+ is 6 points; B- to A- is 9 points.
5.2. Assessment. During the last week of class, students who have
chosen one of the approved extra credit books may be asked to make a short
group presentation to the class or write a 1 to 2 page (double-spaced) "Book
Review"—like a feature article or review for a magazine or newspaper. This
credit will be applied to the final course grade by adding 2-4 points to
overall grade: A=4 points, B=3 points, C=2 points.
5.3. Extra Portfolio Points are also awarded for Neatness and
Organization, Independent Study in logic or rhetoric, and specific vocabulary
work (10-100 words from your short story or other readings). (Each 10
vocabulary words can raise your Portfolio grade by 1%.)
5.4. A Final Grade that is on the borderline between two letter grades
will be determined by the judgment of the instructor based upon the following
criteria: quality of portfolio and last paper, general progress and
improvement of student during the term, and attendance and participation.
6.0. Procedures and Writing Requirements for Final Papers & Assignments
--All in-class writing assignments should be revised and typed for your
portfolio.
--All outside of class exercises should be typed and placed in the portfolio.
--Other personal notes, vocabulary, or grammar notes do not need to be typed,
but it helps you.
7.0. Suggestions for Writing Essays and Term Paper
7.1. Paper Writing Process. Assigned papers are structured as a
comprehensive progressive learning experience and are completed in stages: (1)
an exercise to generate topical ideas, (2) pre-planning your paper, (3) writing
a first draft, and (4) revising into a second draft. This will improve your work
and your grade. Please do not turn in papers inside of a folder or cover or add
a cover sheet. Just follow the MLA format (which will be discussed in class).
All pages of your paper must be numbered with your last name in the upper right
corner.
7.2. Writing Stages. The stages of writing exist to refine your writing
skills. Evaluation is based on 7 general criteria: (1) Planning; (2) Narrowing
and clearly stating your Focus, Theme, Thesis, or Topic; (3) Writing Strategy or
Developing your Argument; (4) Organizational Inventiveness; (5) Writing Style;
(6) Grammar and Mechanics of English, and (7) Quality of Revisions.
7.3. Note on Grammar and Mechanics of English and Writing. PROOFREAD
YOUR PAPERS CAREULLY!!! Ceteris Paribus: I may allow one (1)
technical error (other than faulty grammar) per page. However, I reserve the
option to mark down Final Drafts of Term Papers by 1/2 point for each
grammatical or mechanical error, including but not limited to: typos,
mis-spelled words, faulty punctuation, subject-verb agreement, and the like.
Consult your Handbook often and learn how it is organized for reference.
See the inside covers for quick-review work. Caution: Do Not Rely on Word
Processor Spell-Check programs to catch all of your mistakes. Also note that
Spell-Check programs are not always correct.
7.4. Late Papers: All assignments turned in late will be penalized by one
letter grade for each class it is late. If you cannot be in class on the due
date of a paper, make sure you send your paper to me by email before the end of
that designated class period or submit it early! If for any reason an email
fails to send or be received properly or fails to open, it will be deemed as not
received. It is your responsibility to make sure papers are submitted on time.
8.0. Class Attendance, Participation, and Etiquette
8.1. Attendance. Consider our class meeting time as a professional
appointment. I will be on time and prepared. You should also. If you know that
you will be unable to attend class on a certain date or if you expect to be
late, please notify me in advance by phone or email. If you miss more than 1/3
of a class, it may be considered an absence at my discretion. There will be no
grade penalty for missing three or less class-hours. Absences in excess of 3
class-hours may result in a lowered grade. Any in-class writing assignment
missed due to an unexcused absence cannot be made up. Students missing more
than nine (9) class-hours (a tardy counts as 1/3 of a class missed) for any
reason may be administratively dropped from the class at the discretion of the
instructor.
8.2. Participation. Participation in class (as well as group work) is
defined as being on time and prepared for class, courteous and considerate of
other class members, and actively engaged in the assignment or discussion.
8.3. Classroom Etiquette. Generally, I expect students of be courteous to
their fellow students; so, please, no excess talking or private conversations
during lectures or class discussions. I will appreciate your voluntary
compliance. Please. No eating in class; however, coffee, water, or soda are
OK. (Classes longer than one class-hour per meeting will have a break.) It
should go without saying, but please do not bring CD players, Walkman
headphones, or radios to class. Please turn off all cell phones and pagers
during class.
9.0. Academic Integrity: Policy Statement on Plagiarism. Plagiarism and
Academic Dishonesty (cheating) in any of its forms is expressly prohibited by
the college as well as by the English Department and the syllabus for this
course. Common forms of cheating and plagiarism include, but are not limited to,
the following:
9.1. Having someone else do your work for you
9.2. Purchasing essays from an internet site or other source
9.3. Using unauthorized ideas or not citing the source of something
paraphrased or adapted from the work, words, or ideas of another
9.4. Modifying someone else’s paper for your class
9.5. Modifying your own paper from a previous class and submitting
the same information for a different course without prior approval from your
instructor
9.6. Collusion between students to turn in the same or similar papers
without the express permission of the instructor to work together
9.7. Any violation of Intellectual Copyright laws
9.8. Cheating or plagiarizing may result in receiving a zero on the
assignment or failing the class with a referral to the college Dean of Students
for possible further action. (For further information on this topic consult the
university policy manual.)
Note: Those students who would not do such things, please disregard the above
warning!
10.0. Important Dates this Term (To Be Announced)
Holidays: September 6—Labor Day—No Classes
No Classes on Thursday and Friday October 14 & 15. Independent Study Days
(Library should be open!) (Note! We will take our Study days on Mon & Wed.
Oct. 11 & 13, which may be used for conferences.) I will let you know and
announce in class.
No Class on Thursday Nov. 11—Veterans Day
Thursday November 25—Thanksgiving—No Classes
The last Day to Withdraw with a "W" grade is November 22.
11.0. NOTE BENE! THERE ARE NO INCOMPLETES FOR THIS CLASS! All work
completed during the term must be included in your portfolio and turned in on
the due date. If something is missing or not completed, it will be counted as a
zero.
12.0. English Tutorial Center
For additional help with your papers, you are also urged to take advantage of
the FREE tutorial center services in the Library, 4th Floor. Just go
there and they will schedule an appointment for you with a Tutor to assist you
with your writing organization, technique, and style. BUT THEY WILL NOT WRITE
YOUR PAPER OR CORRECT EVERY MISTAKE. THAT IS YOUR JOB!
13.0. Class Modules. See assigned readings, writings, and lectures. Note
that if a detailed class assignment schedule is provided, it is only a working
outline and subject to changes and modification, especially due dates. Other
specific readings or writing exercises may be assigned in class.
14.0. General Notes
14.1. A more detailed list of weekly assigned readings, writings,
lectures, and assignments will be provided by the third class meeting. That
schedule is tentative and subject to changes by the instructor during the course
of the term.
14.2. Bring a Floppy Disk with you to each class and keep all of your
typed exercises and writings on it. You should also keep an extra copy of your
work on another floppy disk and on your home computer (if you have one). You
will be using the library computers at Tri-C, and sometimes you will have
opportunities to work on your assignments before, during, or after class.
14.3. To guard against the unthinkable, you are advised to keep 2
floppy disk copies of all of
your work. Keep one with you at school, at work, or in your car. Keep one at
home. Update each of them weekly from your hard drive. Save all of your
hard-copy drafts in appropriately marked sections of your Portfolio: e.g.,
essays, skill exercises in numerical order (1-15), lecture and discussion notes,
other in-class exercises, vocabulary work, and independent study, etc.
14.4. A take home Final Exam will be given out on our
last regular class day and will be due in
my office (HUM 323) by Noon on or before Friday, December 17.
14.5. Other specific readings or writing exercises may be assigned in
class.
14.6. If you feel that you have any personal disability that may require
special consideration in completing this coursework or in attending class,
please contact the Tri-C Access Office in Humanities Building 103.
14.7. Check the class website at least weekly for class announcements or
changes in assignments.
14.8. Students are encouraged to print off from the website handouts
listed under Lecture Notes and Supplemental Handouts.
14.9. Consult the suggested links for further information or research.
14.10. Print out the class exercises in advance of class lectures. (You
may want to print all of them out and place them in your notebook/portfolio at
the beginning of the term.) Students are encouraged to work ahead on exercises
(when possible) and to read ahead according to the schedule.
14.11. You can print documents For Free from the class home page
or when doing other internet research by using the Tri-C Library computers.
14.12. Experience has proven that students who organize themselves and
their work at the start of the course will perform better throughout. The course
is fast-paced. It is easy to fall behind—and very difficult to catch up. An
important topic or exercise is covered in each class, so it is important to
attend every class and to be highly organized.
GOOD LUCK. THIS IS YOUR MOST DIFFICULT COURSE AND YOU WILL LEARN MUCH. IT’S A
LOT OF WORK. BUT WE WILL HAVE SOME FUN, TOO!!
YOUR FIRST ASSIGNMENT: After reading this syllabus, send me an email from
your preferred email address. (If you do not have an email account at home, you
can obtain a free email account at the college library.) Note: When
sending emails to the instructor, always identify yourself and this class in
your address or message heading. In the email provide the following:
Answer the following: When was your last English class? What is your
major? Verify your contact information: current phone number and email
address.
Did you find any errors or typos in the syllabus—list them.
Ask any questions you might still have regarding this class or the
syllabus.
Provide any comments, suggestions, or goals you might have regarding this
class.
Attach (as a separate Word document) a one-paragraph bio about yourself.